The Woolrich John Rich & Bros collection gets better every season. The brand is a product of the Italian apparel group WP (who also created Woolrich Woolen Mills, the Barbour Beacon collection and others). Since I spent most of my time at Pitti with my good friend Aaron Levine, I forced him to model our collective favorite piece from the new collection — a tweed arctic parka.
It’s that time again, time for the Italian-craziness that is the ultimate menswear tradeshow Pitti Uomo. I’ve got a lot planned and a healthy amount of sartorial coverage upcoming, but until then I give you these first few teaser shots (below) and the tip to the ACL twitter for the action as it happens.
Additionally, I am sharing a lot of great stuff (at least what I believe to be great stuff) through instagram, so follow @acontinuouslean for that channel of ACL Pitti adventures. More soon enough.
The Italians are coming, the Italians are coming. One unstructured sportcoat by land, two if by sea! I’ve brought my Americano ways to Firenze for the much ballyhooed menswear tradeshow to see the forthcoming Italian invasion in their homeland. While in Tuscany, I’ll be checking out the new SS12 clothes from probably the best concentration of brands anywhere in the world. My photos, thoughts, and espresso powered experience is being beamed straight to GQ, you can see the first installment here.
I’ll also be sharing my Giro d’Pitti via Twitter and Instagram (@acontinuouslean).
American companies publish men’s style magazines. Japanese companies publish sacred texts of the religion that is men’s clothing.
What separates Japanese publications from their American counterparts is obsession. While American writers cover clothing and the lifestyle that surrounds it, Japanese writers identify every possible minute detail, study them to death, and then publish these beautifully designed tomes of men’s style. Japanese magazines, are bound by one thing (well, aside from the language that is), density.
There’s now more publications then ever before, and each one seems to set a new pedantic high point. Flip through any of these imported publications and you’ll see page after page of these masterfully arranged stories that scrutinize and celebrate men’s clothing in a manner that hasn’t been seen since Gentry Magazine back in the fifties. While all of these titles do fall into the general category of “clothing,” each has their own quirks and characteristics that set them apart, so to help you navigate this sea of Kanji and street style photos, we give you a timely breakdown of eight of ACL’s favorite Japanese magazines.
This is the brand you probably only hear about in the wake of Pitti Uomo. The reason it doesn’t come up much is because, outside of his custom shirting clients, Salvatore Piccolo has very little distribution of the brand in the U.S. In a way, this limited availability sort of enhances the brand to me. It’s not in every shop and it’s not on every e-commerce outpost. Barneys has it and that’s apparently enough for the brand and for people like me who love its collection.
The reasons for this limited engagement, I hear, has to do with the fact that Salvatore himself is very involved in the entire process of making his clothing, from designing the fabrics (many of which are exclusive from mills in both Italy and Japan) to running the bottega in Napoli where everything is made. Increasing production and expanding is tough when one man needs to be involved in every detail. Coincidentally, that’s probably what makes these clothes so great and it is also probably the reason why I like them so much.
This is the room I most want to see in every season at Pitti Uomo. Piccolo is the master of color and texture. He mixes in English, American and Japanese with Italian style in the most simplistic and natural way. He’s also mastered of fabric if you were wondering. Not only that, he’s easy-going and affable as a person, which makes the visit even that much more enjoyable. He’s always wants to tell you about the process and the little details that make his clothing so special. It started as custom shirts all made in his bottega in Napoli. Later it evolved to ties, then on to jackets and now he makes handsome suits as well. The guy is a unstoppable.
Barneys brings it to America and Savatore comes to New York a few times a year to work with his custom clients, but when you see everything in once place like at Pitti, the presence of the collection overwhelms. It’s a feeling of mixed joy and pain. Happiness that you get to see it. Sadness that you can’t just pack it all up in trunks and ship it back directly to your closet where you will systematically deploy it to become the world’s best dressed man. [SALVATORE PICCOLO]
Seeing Isaia’s fall collection is one of the things that makes the trek to Florence worth it. The Neapolitan tailor never ceases to impress when it comes to shape and texture. The styling and strong sense of color also serve as some of the most inspirational corners of the menswear summit that is Pitti Uomo. The brand’s AW13 collection is no let down in this regard. There’s a lot going on in a relatively small selection of items, but the spirit remains and Isaia continues to delight with its willingness to know itself and be the brand it wants to be, not the brand other people want it to be.
Like most of the Isaia clothing in the past, this collection draws its inspiration from Naples, specifically from Januarius (the city’s patron saint) and the Naples Cathedral. The details of these inspirations show up in prints and in other small elements of the collection. The photos here give a nice sense of the fabrics, styling and feelings you can look forward for the coming fall.