Last year we called it early and looked at some albums that were floating just below the mainstream. This year we’re highlighting the revival of a genre that critics keep saying has been dead for awhile. Across magazines, newspapers and blogs, writers have lamented the demise of guitar rock in all of its forms – punk, country, blues, garage, etc… They say that dudes with guitars are dead. They’ve been replaced by dudes with synthesizers, dudes with laptops, and dudes with samplers. This year, however, might be an exception. You don’t have to search too hard to discover that 2014 was actually an incredible year for straight-ahead, guitar-toting songwriters. Here are some of the best:
Though he worships at the altar of The Highwaymen, Sturgill is absolutely the genuine article. His Metamodern Sounds In Country Music is a classic country album filtered through a contemporary lens of drugs and existential dread. His songwriting point of view is fresh and his voice is timeless. Now if only the rest of Nashville could follow his lead.
Hiss Golden Messenger
After a series of great folk albums over the last few years, North Carolina’s M.C. Taylor dug deeper on Lateness of Dancers and struck gold. He and his band channel Dylan, The Band, The Dead and J.J. Cale like no one else has recently, keeping one foot firmly planted in swampy Southern R&B.