Jake Gallagher | A Continuous Lean.

A Signal Through the Noise of NYFW

Feb 23rd, 2015 | Categories: Fashion Week, Jake Gallagher, Menswear, New York City, NYFW | by Jake Gallagher


J. Crew

You’ve all seen the Instagrams. You’ve all read the tweets. You’ve maybe even looked through a collection or two. That’s right, Fashion Week has blown through New York City like a down-filled, blanket-wrapped, wax coated tornado. For anyone with even a remote interest in men’s clothing (which if you’re reading this site, is probably you) NYFW is an unavoidable cacophony of runway looks, street style images, and blurry Instagram photos. To be quite honest though, most of what goes on during this week has little to no relevance for the average guy. Many of the labels that show here in New York skew toward the avant garde and even those designer whose names you might actually recognize often show conceptual looks which will never make it stores, let alone your closet. So in an effort to skim the fat, we bring you our favorite fits from this year’s New York Fashion Week. And by favorite, we mean the ones which might actually inspire or inform your clothing purchases for the year ahead.  Enjoy our simply presented signal through the NYFW noise.

Kubrick the Kid Captures the City

Feb 19th, 2015 | Categories: Americana, History, Jake Gallagher, New York City | by Jake Gallagher


Long before Stanley Kubrick became the revered auteur responsible for films like A Clockwork Orange, The Shining, 2001: A Space Odyssey, and Full Metal Jacket, he was just a kid with a camera. And he truly was a kid. Kubrick was just seventeen when was hired as a staff photographer by the now defunct Look Magazine. As a native of the Bronx, Kubrick was a keen observer of the intricacies of the city, and throughout his five year career behind the lens, he portrayed the ins and outs of ordinary life in New York. From clubs to classrooms, from street corners to circuses, from boxing rings to bars, Kubrick shot society at all levels, capturing the collective frenzy of New York City in the late 1940’s. Below are just a smattering of the more than fifteen thousand images which Kubrick amassed from 1945 to 1950, but all of them can be found online at the website of the Museum of the City of New York.


Iconic Campaign Buttons of Yore.

Feb 14th, 2015 | Categories: Americana, Jake Gallagher | by Jake Gallagher


While, it’s not our place to wax on about the ways in which our country’s political rhetoric has changed, we would like to reminisce on the lost art of the campaign button. Unlike the gaudy and contrived pins of contemporary campaigns, classic buttons were crisp, clear, and generally just far more iconic. Some of them are bold, like Ike’s countless punchy slogans (he must’ve had quite the copywriting team) while some of them just seem absurd, as in Edmun Muskie’s fishing pin, but they’re all worth remembering, even if the candidate was not.



Not So Standard.

Feb 11th, 2015 | Categories: Jake Gallagher, Japan, Menswear, Shopping, Style | by Jake Gallagher


For many Japanese brands, it’s not enough to only have one line. Companies like Beams, Ships, and United Arrows love to stack up sub-brands and diffusion lines like a hastily made parfait of complementary aesthetics, which each layer bleeding over into the offer. The differences between two given brands under the same umbrella can often be tough to discern – one might be workwear-meets-streetwear, while the other might be streetwear-meets-workwear. It all tends to get lost in translation. Fortunately for Western audiences though, Japanese brands are also known for being masters of visual merchandising. Often times each label will get it’s own lookbook or ad campaign, which is (in most cases) the closest that we’ll ever come to actually interacting with these brands, as many of them are not widely available outside of Japan. This no longer rings as true for Beams and United Arrows, which have recently upped their American and European stockists, but it is still quite true for Journal Standard, another multi-label Japanese brand.


MG Autos | The Midgets of the Track

Feb 10th, 2015 | Categories: Cars, History, Jake Gallagher, Motorsports | by Jake Gallagher


American cars of the 1960′s can be summed up in one word: big. Big engines, big hoods, big windows, big benches, even big headlights. The American road was strewn with these glimmering metallic behemoths throughout the sixties, but across the pond, things were quite different. There were British companies like Rolls Royce, Aston Martin, and Bentley that aimed for luxury, creating an automotive experience that was akin to an ultra-cushy carriage ride, and then there were companies like MG. While their competitors were busy inserting plush leather seats and squishy handling into their rides, MG was playing out on the track, producing compact cars that epitomized English speed. Their coupes were designed to hug sharp turns, leap off the line, and dart around corners, setting the benchmark for the British sports car for decades to come.


Gitman Printage | Gitman’s Greatest Hits

Feb 9th, 2015 | Categories: A Conversation With, Jake Gallagher, Made in the USA, Menswear | by Jake Gallagher


Not since the 1960′s have there been this many American based shirt brands. And yet, despite the variety of labels attached to them, never have so many shirts looked exactly alike.

We don’t mean to be overly critical, we do understand that there are only so many mills a shirt company can buy from, only so many different color combinations they can choose from, only so many ways they can reconfigure a plaid or a paisley or a polka dot. And of course, any company attempting to create clothing in America deserves our support. We just wish more companies would approach their design like Gitman Vintage does.

Why We Should All Respect Hiroshi Fujiwara.

Feb 8th, 2015 | Categories: Design, Jake Gallagher, Japan, Menswear | by Jake Gallagher


Hiroshi Fujiwara has a resume that most designers could only dream of. In his thirty-plus year career the Fragment Design founder has worked with Nike, Starbucks, Stussy, Neighborhood, Casio, Carhartt, Beats, and Disney. Oh wait, did I say in his career? Because that was just in the past year. Pull back a bit further and you’ll find names like Oakley, Cole Haan, Clarks, Sacai, Visvim, Sophnet, Converse, Levi’s, and Martin Guitar. And that’s just his work as a designer. Fujiwara is also an accomplished musician who has collaborated with Janis Ian and Eric Clapton. Oh, and if that’s not impressive enough he appeared in Lost in Translation.