Visually, Paris, Texas could be the most American movie ever. I don’t even think the Texas tourism board could make the state look any better than these filmmakers did. Funny thing is, the picture was made by a bunch of Europeans. I suppose people get a better perspective of something when they are on the outside looking in. What’s amazing about this 1984 film is the enduring nature of the style — especially with what is happening in the world today. Worth a watch for inspiration alone. Some of my favorite looks below. [Paris, Texas at the Criterion Collection]

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News of the launch of the Wolverine 1000 Mile collection first came in February of 2009. It was around that time that I met some of the people from Wolverine and wrote about the collection. Later, Wolverine invited me to a little event they put together in the city and I got a chance to meet all of the people involved in the 1000 Mile line — all good people. After that we started talking more and eventually Wolverine hired my public relations firm to help out with the 1000 Mile Collection — which has been a lot of fun. (In case you missed it, that was my full disclosure.)

A project that we have been working on over the past several months is the special edition, limited-quantity Wolverine 1000 Mile boot with the imprint 721LTD. The undertaking, which is named for the original 1000 Mile boot reference number, was pulled directly from the company’s archives from over 125 years of boot making. To celebrate the provenance of the 721LTD boots, Wolverine commissioned a film series (directed by my friend Sean Sullivan) to document the journey of these unique 1000 Mile boots. The opening chapter takes you on a pilgrimage to Chicago to visit the Horween leather company, America’s finest tannery and supplier of shell cordovan to the 721LTD 1000 Mile boots.

I’m proud and excited to share this short film with you and to take you inside Horween, a truly special place and national treasure. These kinds of projects are what it is all about for me. To work with good people like the folks at Wolverine, Sullivan and all of the people at Horween on something as legitimate as the 1000 Mile boots.

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This past weekend I finished reading Sebastian Junger’s new book War — which along with the accompanying documentary Restrepo (directed by both Junger and photojournalist Tim Hetherington) — documents one U.S. Army platoon’s entire 15 month deployment to Afghanistan’s Korangal valley, one of the most dangerous places in the world. Rather than focusing on the politics of the War in Afghanistan, both War and Restrepo center on the soldiers on the front lines. The book and film are a sobering look at the everyday GIs that are out there in the shit; dividing their mountainous existence between boredom, firefights, reinforcing their post and dealing with the local Afghans. I highly recommend both the book and the film, which each provide a poignant perspective on the war in Afghanistan, and at the same time manage to avoid the pitfalls of the typical modern war documentary. [Restrepo / War]

"Restrepo" film directors Sebastian Junger (left) and Tim Hetherington (right) at the Restrepo outpost in the Korengal Valley, Afghanistan.

Misha Pemble is startled by the sound of gunfire during a firefight across the valley with insurgents. Korengal Valley, Kunar Province, Afghanistan. June 2008.

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A ’55 Chevy “one-fifty” with a 454 and four on the floor. James Taylor at the wheel and Dennis Wilson riding shotgun; no names and no bullshit. Two-Lane Blacktop came out two years before American Graffiti and two after Easy Rider. The film remains a cult classic. Good old American muscle. [Two-Lane Blacktop]

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When I first met Alexander Olch a few years ago about working on his PR I gave him a hard time about his dueling career paths. “Are you a tie designer or a filmmaker?” I asked. With a grin he replied, “both!” it took a little convincing but we did end up working with Olch for his PR (and he still remains a client). Just yesterday I saw Mr. Olch’s writer, director, filmmaker role come to fruition when his documentary The Windmill Movie opened at Film Forum. The film is a portrait of Richard Rogers — Alexander’s film professor and mentor at Harvard — that is culled from decades worth of archival footage that Richard shot in an effort to tell the story of his life. Olch does an amazing job of putting together the long-over-due tale of Dick Rogers’ of professional jealousy, a resented privileged upbringing and the struggle to make it all into a film.

The Windmill Movie is now playing at Film Forum and in Washington D.C. with more cities to follow. Read more: The New York Times and Valet

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My friend Jauretsi’s documentary film East of Havana —a look into the burgeoning underground Cuban hip-hop scene —is making its television debut tonight (May 30th) on the Sundance Channel at 10PM. If you are as interested in Cuban culture as I am, you will make sure to check it out.

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