The visor looked like it had been coated in gold tin foil bought from a suburban supermarket. The helmet itself was oddly shaped and each crack was writ large upon the surface. The hardware was exposed. A red band adorned the bottom, one of the few actual references to a true NASA item.
This was Tom Sachs’ vision of a space helmet, a brilliant bricolage work that prioritized artistry rather than function. The scientists at NASA had their flight paths, but Sachs was on his own, navigating through visions of space that existed more in his own mind than in our physical galaxy. And Sachs was just getting started.
Helmet was part of a larger Tom Sachs exhibition titled “Space Program,” which made its debut at New York’s Gagosian Gallery back in the late summer of 2007. The press release that accompanied this show explained that Sachs, like many children of the sixties, was fascinated by the Apollo Space Program. Throughout his life, this interest blossomed into an obsession and in the late nineties Sachs began creating space inspired artworks using his recognizable bricolage technique.